PIERS

[…] For me, this series of paintings is like an intense scrutiny, like interrogating the essence of each picture, searching for the substance of our dreams, scrutinising the unexpected, the unexpected element of the representation that melts into the geometry of lines and colours, which seem powerless to take shape against the relationship between form and content, as if the form was escaping its content, and its existence, its strength, weakness, joy and sadness. The object of the eye’s gaze drives you to search for what is not revealed, what is hidden. […]

Khaled Fouad Allam